It’s the first week of pride month and Sense8 has been cancelled. If that’s not ironic then I owe Alanis Morissette a beer.

In the days following the announcement, there’s been a lot of sorrow, a lot of outrage, and a spate of well-rounded articles detailing the immense loss to representation that’s fuelled most of it. But still, I see a lot of people—straight ones mostly—wondering at the voracity of the queer community’s backlash at the news. And I guess I can understand their confusion. Representation is representation, right? While Sense8 certainly had a lot of it, it’s not the only show out there with openly queer characters.

But that’s just it. All representation isn’t created equal.

In an industry that queer-codes its villains, fetishises its lesbians, overwhelmingly depicts its gay men slowly dying of AIDs, and flat out forgets people of colour exist most of the time, finding representation that doesn’t make me want to put my head through a wall is like finding a needle in a pile of other needles. Finding representation that makes me cry literal tears of joy…well, lets just say I’m usually notoriously dry eyed.

Until Sense8. Beautiful, diverse, found-family, feel-good, sci-fi mecca Sense8.

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